This is a study concerning the Iron Age coroplastic production in the Northern Levant. The research is mostly based on new data gathered from the Joint Turco-Italian Expedition at Karkemish (Gaziantep, Turkey). Figurines presented in this study are limited to the 2011-2015 excavation seasons and they are analyzed from a range of aspects. The work in fact primarily focuses on contextual data, being the starting point for the research. A preliminary typological and chronological framing is also provided, while a tentative functional interpretation is suggested by means of a careful examination of the local iconographic and written repertoires. Furthermore, ethnographic comparisons are sometimes used in order to better define the semantic meaning beyond this production. Comparisons with other key sites located in the Middle Euphrates basin are also presented with the main aim to define a peculiar regional pattern. A minor part of this dissertation is also dedicated to the study of the coroplastic art in the entire northern Levantine region. The aim, in this case, is evidently that of identifying different regional productions, which at the state of the research could be traced back just for a few regions. Thus new important data are provided for the Amuq Plain, the Islahiye Valley and the rest of Inner Syria.

The Iron Age Clay Figurines from Karkemish (2011-2015 Campaigns) and the Coroplastic Art of the Syro-Anatolian Region

2017

Abstract

This is a study concerning the Iron Age coroplastic production in the Northern Levant. The research is mostly based on new data gathered from the Joint Turco-Italian Expedition at Karkemish (Gaziantep, Turkey). Figurines presented in this study are limited to the 2011-2015 excavation seasons and they are analyzed from a range of aspects. The work in fact primarily focuses on contextual data, being the starting point for the research. A preliminary typological and chronological framing is also provided, while a tentative functional interpretation is suggested by means of a careful examination of the local iconographic and written repertoires. Furthermore, ethnographic comparisons are sometimes used in order to better define the semantic meaning beyond this production. Comparisons with other key sites located in the Middle Euphrates basin are also presented with the main aim to define a peculiar regional pattern. A minor part of this dissertation is also dedicated to the study of the coroplastic art in the entire northern Levantine region. The aim, in this case, is evidently that of identifying different regional productions, which at the state of the research could be traced back just for a few regions. Thus new important data are provided for the Amuq Plain, the Islahiye Valley and the rest of Inner Syria.
27-lug-2017
Inglese
Marchetti, Nicolo'
Università degli Studi di Bologna
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/20.500.14242/130095
Il codice NBN di questa tesi è urn:nbn:it:unibo-26378