This is a research on the forms of female subjectivity in three major works of the Persian medieval poetry: Shah-name by Ferdowsi, Vis o Ramin by Gorgani and Homay o Homayun by Khwaju of Kerman. Each work is analyzed separately in the first three chapters, with special regard to the female characters; in chapter 4 there is an excursus on misogyny in the Persian medieval literature and in chapter 5 there is a large comparative analysis of the three authors on the theme of female subjectivity. A final chapter is devoted to the theme of the revaluation of woman in the Persian romance.
Forme della soggettività femminile in tre poemi persiani medievali: Shah-namé di Ferdowsi, Vis o Ramin di Gorgani e Homay o Homayun di Khwaju di Kerman
2016
Abstract
This is a research on the forms of female subjectivity in three major works of the Persian medieval poetry: Shah-name by Ferdowsi, Vis o Ramin by Gorgani and Homay o Homayun by Khwaju of Kerman. Each work is analyzed separately in the first three chapters, with special regard to the female characters; in chapter 4 there is an excursus on misogyny in the Persian medieval literature and in chapter 5 there is a large comparative analysis of the three authors on the theme of female subjectivity. A final chapter is devoted to the theme of the revaluation of woman in the Persian romance.File in questo prodotto:
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Utilizza questo identificativo per citare o creare un link a questo documento:
https://hdl.handle.net/20.500.14242/140253
Il codice NBN di questa tesi è
urn:nbn:it:unibo-18482