The analysis of spatialization strategies in the theatrical context allows to sketch a system of relations which involves: 1) the material aspects of a spatial dimension, which can be visible or invisible on scene; 2) one or more dramatic subjectivities, characterized by specific connotations, and who act into space; 3) one or more divine powers whose presence is alluded to by tragic language. The relation expressed by the triplet ‘space-action-divinity’ brings to composite spatial dimensions, whose caracter is deeply negotiated, a middle term between something concrete and mentalized. This we can call ‘dramatic landscape’, insisting on its components relationality and positionality, rooted into cultural categories producing and recieving the performance. A closer observation of case studies from the corpus of Attic tragedy allows to isolate some patterns in the representation of tragic landscape, giving landscape the status of theatrical communication device.
Paesaggi drammatici. Strategie di comunicazione dello spazio nella tragedia ateniese. Paysages dramatiques. Stratégies de communication de l'espace dans la tragédie athénienne.
RE, GIULIA
2023
Abstract
The analysis of spatialization strategies in the theatrical context allows to sketch a system of relations which involves: 1) the material aspects of a spatial dimension, which can be visible or invisible on scene; 2) one or more dramatic subjectivities, characterized by specific connotations, and who act into space; 3) one or more divine powers whose presence is alluded to by tragic language. The relation expressed by the triplet ‘space-action-divinity’ brings to composite spatial dimensions, whose caracter is deeply negotiated, a middle term between something concrete and mentalized. This we can call ‘dramatic landscape’, insisting on its components relationality and positionality, rooted into cultural categories producing and recieving the performance. A closer observation of case studies from the corpus of Attic tragedy allows to isolate some patterns in the representation of tragic landscape, giving landscape the status of theatrical communication device.File | Dimensione | Formato | |
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https://hdl.handle.net/20.500.14242/216620
URN:NBN:IT:UNIPI-216620