The thesis titled <i>La Divina Commedia e l'apocatastasi di Origene</i> is concerning especially a study regarding the last sense of the Dante's Poem, the «anagogico» sense. Some inverted acrostics are considered, and the structure of the poem and the acrostics seems to suggest the possibility of an origenistic last sense of the Comedy. In the first part are considered several textual elements, especially new. In the second part there is the philological work about the esoteric tradition around the <i>Divine Comedy</i>, and after is presented a poem †œforgotten†�, the <i>Città  di Vita</i> of Matteo Palmieri.<br/> In the last part †" the final part †" are considered some particular acrostics, especially "inverted", and the technical expedient of Dante is compared with the expedients of the symbolistic poetry, especially concerning the production of Stephane Mallarmà©.

La Divina Commedia e l'apocatastasi di Origene

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2010

Abstract

The thesis titled La Divina Commedia e l'apocatastasi di Origene is concerning especially a study regarding the last sense of the Dante's Poem, the «anagogico» sense. Some inverted acrostics are considered, and the structure of the poem and the acrostics seems to suggest the possibility of an origenistic last sense of the Comedy. In the first part are considered several textual elements, especially new. In the second part there is the philological work about the esoteric tradition around the Divine Comedy, and after is presented a poem †œforgotten†�, the Città  di Vita of Matteo Palmieri.
In the last part †" the final part †" are considered some particular acrostics, especially "inverted", and the technical expedient of Dante is compared with the expedients of the symbolistic poetry, especially concerning the production of Stephane Mallarmà©.
2010
it
Università degli Studi di Sassari
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/20.500.14242/298352
Il codice NBN di questa tesi è URN:NBN:IT:UNISS-298352