The dissertation is about the sculpture in Padua from 1540 to 1620 ca., mainly focusing on the production of funerary monuments and portrait busts. Crucial is the connection between the sculptors, the Veneranda Arca di Sant'Antonio and the intellectuals related to the Studio or to the academies of the city. The stylistic development and peculiar forms are compared with those of the contemporary Venice.
Scultura a Padova: 1540-1620 circa. Monumenti e ritratti
Siracusano, Luca
2014
Abstract
The dissertation is about the sculpture in Padua from 1540 to 1620 ca., mainly focusing on the production of funerary monuments and portrait busts. Crucial is the connection between the sculptors, the Veneranda Arca di Sant'Antonio and the intellectuals related to the Studio or to the academies of the city. The stylistic development and peculiar forms are compared with those of the contemporary Venice.File in questo prodotto:
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Utilizza questo identificativo per citare o creare un link a questo documento:
https://hdl.handle.net/20.500.14242/90811
Il codice NBN di questa tesi è
URN:NBN:IT:UNITN-90811