Two of Shakespeare???s sonnets, 8 and 128, stage an intermedial dialogue between music and poetry. This has challenged a number of modern composers to respond with their own art, among them Igor Stravinsky with a so far rather neglected musical version of Music to hear, which is at the centre of this paper.
??Music to Hear?????: da Shakespeare a Stravinsky
2014
Abstract
Two of Shakespeare???s sonnets, 8 and 128, stage an intermedial dialogue between music and poetry. This has challenged a number of modern composers to respond with their own art, among them Igor Stravinsky with a so far rather neglected musical version of Music to hear, which is at the centre of this paper.File in questo prodotto:
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https://hdl.handle.net/20.500.14242/267940
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URN:NBN:IT:UNIROMA1-267940