The thesis represents a first methodic approach to the archival documentation concerning the music in the cathedral of S. Peter in Bologna. Covering a temporary range from 1417 to 1754, the thesis is organised in five chapters, a historical introduction, a catalogue of non preserved and preserved music sources, a chronology of musical attested performances, a chronology of stable musicians and a ordered transcription of all the known documents related to the music in the cathedral.

LA MUSICA NELLA CATTEDRALE DI S. PIETRO IN BOLOGNA (1417 - 1754)

HVASS PUJOL, LARS MAGNUS
2019

Abstract

The thesis represents a first methodic approach to the archival documentation concerning the music in the cathedral of S. Peter in Bologna. Covering a temporary range from 1417 to 1754, the thesis is organised in five chapters, a historical introduction, a catalogue of non preserved and preserved music sources, a chronology of musical attested performances, a chronology of stable musicians and a ordered transcription of all the known documents related to the music in the cathedral.
19-dic-2019
Italiano
musica sacra; Cattedrale di S. Pietro in Bologna; storia della musica
DAOLMI, DAVIDE
PIACENTINI, PATRIZIA
Università degli Studi di Milano
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/20.500.14242/81302
Il codice NBN di questa tesi è URN:NBN:IT:UNIMI-81302