The correspondence of the Grandi family company (1851-1927) provides an unpublished source of information for the study of the Milanese art market in the second half of the 19th century, observed from an as yet unexplored perspective: the one of art dealers. The investigation of the archive materials - almost six hundred documents, including letters, drafts, invoices and dispatch notes - has revealed not only the professional history of Antonio Grandi (1810-1877) and his sons Carlo (1842-1914) and Antonio (1857-1923), but also the company's international contacts and commercial strategies. Particular attention has been dedicated to the business relationship with the printseller Marseille Middleton Holloway (1809-1897) from London, that has given an in-depth insight into the European market of reproductive engravings, in which the Grandi company had a true specialisation. The documents also encouraged further research on Giuseppe Baslini (1817-1887), the most important dealer of paintings and art objects operating in Milan in the second half of the 19th century.
MILANO E IL MERCATO DELL¿ARTE NELLA SECONDA METÀ DELL¿OTTOCENTO.IL RUOLO DEGLI ANTIQUARI
COLOMBI, MARTINA
2023
Abstract
The correspondence of the Grandi family company (1851-1927) provides an unpublished source of information for the study of the Milanese art market in the second half of the 19th century, observed from an as yet unexplored perspective: the one of art dealers. The investigation of the archive materials - almost six hundred documents, including letters, drafts, invoices and dispatch notes - has revealed not only the professional history of Antonio Grandi (1810-1877) and his sons Carlo (1842-1914) and Antonio (1857-1923), but also the company's international contacts and commercial strategies. Particular attention has been dedicated to the business relationship with the printseller Marseille Middleton Holloway (1809-1897) from London, that has given an in-depth insight into the European market of reproductive engravings, in which the Grandi company had a true specialisation. The documents also encouraged further research on Giuseppe Baslini (1817-1887), the most important dealer of paintings and art objects operating in Milan in the second half of the 19th century.File | Dimensione | Formato | |
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https://hdl.handle.net/20.500.14242/81797
URN:NBN:IT:UNIMI-81797